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Sir Thomas Lawrence Portrait of Henry Dundas oil painting


Portrait of Henry Dundas
Painting ID::  94456
Sir Thomas Lawrence
Portrait of Henry Dundas
cjr

   
   
     

Sir Thomas Lawrence Portrait of Sir Arthur Wellesley, Duke of Wellington oil painting


Portrait of Sir Arthur Wellesley, Duke of Wellington
Painting ID::  94457
Sir Thomas Lawrence
Portrait of Sir Arthur Wellesley, Duke of Wellington
1814(1814) cjr

   
   
     

Sir Thomas Lawrence William Wilberforce oil painting


William Wilberforce
Painting ID::  94458
Sir Thomas Lawrence
William Wilberforce
1828(1828)

   
   
     

Sir Thomas Lawrence Portrait of the Honorable Mrs. Seymour Bathurst oil painting


Portrait of the Honorable Mrs. Seymour Bathurst
Painting ID::  94468
Sir Thomas Lawrence
Portrait of the Honorable Mrs. Seymour Bathurst
1828(1828) Medium oil on canvas Dimensions 142.24 x 111.92 cm (56 x 44.1 in) cjr

   
   
     

Sir Thomas Lawrence Coronation portrait of George IV oil painting


Coronation portrait of George IV
Painting ID::  94469
Sir Thomas Lawrence
Coronation portrait of George IV
1821(1821) Medium oil on canvas Dimensions 289.6 x 200.7 cm (114 x 79 in) cjr

   
   
     

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     Sir Thomas Lawrence
     1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.

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